References – FMP

Books:

BENJAMIN, Walter. 2008.  The Work of Art in the Age of Mechanical Reproduction (1936). Translated by J.A. Underwood. London:Penguin

BRIGHT, Susan. 2011. Art Photography Now. London: Thames and Hudson

COTTON, Charlotte. 2015. Photography is Magic. New York: Aperture

KANDINSKY, Wassily. 1977. Concerning the Spiritual in Art. Translated by MTH Sadler. New York: Dover Publications Inc

ZAKIA, Richard D. 2002. Perception & Imaging. Woburn, USA: Focal Press

Journals:

COSTELLO, Diarmuid. 2018. ‘What is Abstraction in Photography?’ British Journal of Aesthetics. 58 (4) 385-400.

Web:

ACTNOW.ORG. 2019. ‘Training and Consultancy in Data Protection, Freedom of Information and Surveillance Law.’ ActNow Training (online). Available at https://www.actnow.org.uk (accessed 25th January 2019)

DATA PROTECTION UAS. 2018. ‘Use of photographs and video’. University of Oxford (online). Available at://www.admin.ox.ac.uk/councilsec/compliance/dataprotection/useofphotographsandvideo/ (accessed 25th January 2019)

MIT.EDU. 1997.  ‘Synesthesia and the Synesthetic Experience’. MIT (online). Available at: http://web.mit.edu/synesthesia/www/ (accessed 4th February 2019)

ROTH, Alan. 2007. Re/Collecting Memory. (Documentary) Available at: https://www.youtube.com/watch?v=_hrasS4Fx1o (accessed January 30th 2019)

WIKIPEDIA. 2018. Martin Chateris, Baron Chateris of Amisfield. (online). Available at: https://en.wikipedia.org/wiki/Martin_Charteris,_Baron_Charteris_of_Amisfield (accessed 21/2/19)

Images:

Figure 1. HAYASHI, Masumi.1995. Gila River Relocation Camp (panoramic photo collage with Fuji Crystal Archive prints). Prison photography (online). Available at: https://prisonphotography.org/2009/06/23/masumi-hayashi-japanese-american-internment/ (accessed 24/1/19)