References – FMP

Books:

BARASCH Moshe.  2011. Theories of Art (from Impressionism to Kandinsky). New York & Oxon: Routlege

BENJAMIN, Walter. 2008.  The Work of Art in the Age of Mechanical Reproduction (1936). Translated by J.A. Underwood. London:Penguin

BRIGHT, Susan. 2011. Art Photography Now. London: Thames and Hudson

COTTON, Charlotte. 2014. Photography as Contemporary Art. London: Thames and Hudson

CREATIVEHUB. 2019. Selling art online 2019. London: Printspace

COTTON, Charlotte. 2015. Photography is Magic. New York: Aperture

KANDINSKY, Wassily. 1977. Concerning the Spiritual in Art. Translated by MTH Sadler. New York: Dover Publications Inc

MAKELA, Maria and BOSWELL, PETER. 1996. The Photomontages of Hannah Hoch. Minneapolis: Walker Arts Centre. Available online: https://www.moma.org/documents/moma_catalogue_241_300063171.pdf (accessed 27/4/19)

NÉRET, Gilles. 2017. Malevich. Translated by Chris Miller. Köln: Taschen

ZAKIA, Richard D. 2002. Perception & Imaging. Woburn, USA: Focal Press

Journals:

COSTELLO, Diarmuid. 2018. ‘What is Abstraction in Photography?’ British Journal of Aesthetics. 58 (4) 385-400.

HODGKINSON, Tim. 1986.  ‘An Interview with Pierre Schaeffer – pioneer of Musique Concrète’.  ReR Quarterly Magazine, vol.2, no.1. Available online at: https://www.researchgate.net/publication/267958638_An_interview_with_Pierre_Schaeffer_-_pioneer_of_Musique_Concrete (accessed 29/5/19)

JOHNSON, Melissa A. 2008.  ‘Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt.’ (Book review) Woman’s Art Journal, vol. 29, no. 1, pp. 49–52. Available online at: JSTOR, http://www.jstor.org/stable/20358148. (Accessed 22/4/19)

OTTO, Elizabeth. 2009.  ‘A ‘Schooling of the Senses’: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt.’ New German Critique, no. 107, pp. 89–131. Available online at: JSTOR, http://www.jstor.org/stable/25609148. (Accesssed 22/4/19)

OTTO, Elizabeth. 2005.  ‘Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt.’ Academia.edu. Available online at: https://www.academia.edu/500945/Tempo_Tempo_The_Bauhaus_Photomontages_of_Marianne_Brandt (Accessed 25/4/19).

Web:

ACTNOW.ORG. 2019. ‘Training and Consultancy in Data Protection, Freedom of Information and Surveillance Law.’ ActNow Training (online). Available at https://www.actnow.org.uk (accessed 25th January 2019)

DATA PROTECTION UAS. 2018. ‘Use of photographs and video’. University of Oxford (online). Available at://www.admin.ox.ac.uk/councilsec/compliance/dataprotection/useofphotographsandvideo/ (accessed 25th January 2019)

HUGHES, David. 2019. ‘Bauhaus movement: why a Google Doodle celebrates the 100th anniversary of the German artschool today’. iNews.co.uk (Online). Available at https://inews.co.uk/culture/arts/bauhaus-movement-google-doodle-100th-anniversary-german-art-school/ (accessed 12th April 2019)

ITTEN, Johannes: The meeting. 2010 . In Masterworks. [Online]. Berlin: Arthaus Musik. Available from: http://ezproxy.falmouth.ac.uk:2048/login?qurl=https%3A%2F%2Fsearch.credoreference.com%2Fcontent%2Fentry%2Farpmeis%2Fjohannes_itten_the_meeting%2F0%3FinstitutionId%3D4357 [Accessed 22 April 2019].

MICHALLON, Clémence. 2019. ‘Bauhaus: five things you need to know about the influential German design movement. Independent (online). Available at: https://www.independent.co.uk/arts-entertainment/art/news/bauhaus-google-doodle-movement-what-germany-berlin-school-when-a8865471.html (Accessed 12/4/19)

PERREN, Claudia. 2019.  ‘Bauhaus the School of Modernism’. Google Arts and Culture (online). Available at: https://artsandculture.google.com/theme/6gIi8UW9Rfa-Kw (accessed 14/14/19)

MIT.EDU. 1997.  ‘Synesthesia and the Synesthetic Experience’. MIT (online). Available at: http://web.mit.edu/synesthesia/www/ (accessed 4th February 2019)

RESPINI, EVE. 2013. ‘New Photography 2012 – Shirana Shahbazi’. MoMA (online). Available at: https://www.moma.org/interactives/exhibitions/2012/newphotography/index.html (accessed 9/5/19)

ROTH, Alan. 2007. Re/Collecting Memory. (Documentary) Available at: https://www.youtube.com/watch?v=_hrasS4Fx1o (accessed January 30th 2019)

GOODALL, Howard, 2017. Sgt. Pepper’s Musical Revolution. (Documentary). Available at: https://www.dailymotion.com/video/x6cbnv6 (accessed March 25th 2019)

ROWLAND, Anna. 2003. Itten, Johannes. Grove Art (online).  Oxford University Press 2019. Available at:<http://www.oxfordartonline.com.ezproxy.falmouth.ac.uk/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000042922&gt; (accessed 22/4/19)

TEMPO, TEMPO! The Bauhaus images of Marianne Brandt. International Centre of Photography 2006. Available online at: https://www.icp.org/exhibitions/tempo-tempo-the-bauhaus-photomontages-of-marianne-brandt  (accessed 22/4/190

WIKIPEDIA. 2018. Martin Chateris, Baron Chateris of Amisfield. (online). Available at: https://en.wikipedia.org/wiki/Martin_Charteris,_Baron_Charteris_of_Amisfield (accessed 21/2/19)

Images:

Figure 1. HAYASHI, Masumi.1995. Gila River Relocation Camp (panoramic photo collage with Fuji Crystal Archive prints). Prison photography (online). Available at: https://prisonphotography.org/2009/06/23/masumi-hayashi-japanese-american-internment/ (accessed 24/1/19)

Figure 2: MARTIN, Mary. 1969. Perspex Group on Orange (B). Available at: https://www.tate.org.uk/art/artworks/martin-perspex-group-on-orange-b-t12028 (accessed 5/3/19)

Figure 3: MOHOLY-NAGY, László. 1923. Z IV. Oil on canvas. In WHITFORD, Frank. 1986. Bauhaus. London: Thames and Hudson

Figure 4: KANDINSKY, Wassily. 1923. Violet, colour lithograph. In WHITFORD, Frank. 1986. Bauhaus. London: Thames and Hudson

Figure 5: ITTEN, Johannes. c.1965. Spring. Screenshot from: ITTEN, Johannes: The meeting. 2010 . In Masterworks. [Online] Berlin: Arthaus Musik. Via Falmouth OneStop. (accessed 23/4/19)

Figure 6: ITTEN, Johannes. 1916. The Meeting. Oil on Canvas. Screenshot from WikiArt Visual Art Encyclopedia. https://www.wikiart.org/en/johannes-itten/die-begegnung-1916 (accessed 27/4/19)

Figure 7: BRANDT, Marianne. 1928. me ii. Photocollage. Screenshot from OTTO, Elizabeth. 2005 (reference above)

Figure 8: MALAVICH, Kazimir. 1912-13. Cow and Violin. Oil on canvas. In NÉRET, Gilles. 2017. Malevich. Köln: Taschen

Figure 9: HÖCH, Hannah. 1922. Dada. Collage. In Makela and Boswell, 1996. The Photomontages of Hannah Höch. Full reference above

Figure 10: SHAHBAZI, Shirana. 2011. Composition-22-2011. 2011. Chromogenic colour print. Screenshot from MoMa (online). https://www.moma.org/interactives/exhibitions/2012/newphotography/shirana-shahbazi/shahbazi-3/index.html accessed 9/5/19)

Figure 11: HÖCH, Hannah. 1922. Poesie. Collage with ink.  Screenshot from Makala and Boswell 1996. Full reference above.