References – FMP


BENJAMIN, Walter. 2008.  The Work of Art in the Age of Mechanical Reproduction (1936). Translated by J.A. Underwood. London:Penguin

BRIGHT, Susan. 2011. Art Photography Now. London: Thames and Hudson

COTTON, Charlotte. 2015. Photography is Magic. New York: Aperture

KANDINSKY, Wassily. 1977. Concerning the Spiritual in Art. Translated by MTH Sadler. New York: Dover Publications Inc

ZAKIA, Richard D. 2002. Perception & Imaging. Woburn, USA: Focal Press


COSTELLO, Diarmuid. 2018. ‘What is Abstraction in Photography?’ British Journal of Aesthetics. 58 (4) 385-400.


ACTNOW.ORG. 2019. ‘Training and Consultancy in Data Protection, Freedom of Information and Surveillance Law.’ ActNow Training (online). Available at (accessed 25th January 2019)

DATA PROTECTION UAS. 2018. ‘Use of photographs and video’. University of Oxford (online). Available at:// (accessed 25th January 2019)

MIT.EDU. 1997.  ‘Synesthesia and the Synesthetic Experience’. MIT (online). Available at: (accessed 4th February 2019)

ROTH, Alan. 2007. Re/Collecting Memory. (Documentary) Available at: (accessed January 30th 2019)

WIKIPEDIA. 2018. Martin Chateris, Baron Chateris of Amisfield. (online). Available at:,_Baron_Charteris_of_Amisfield (accessed 21/2/19)


Figure 1. HAYASHI, Masumi.1995. Gila River Relocation Camp (panoramic photo collage with Fuji Crystal Archive prints). Prison photography (online). Available at: (accessed 24/1/19)