References (surfaces & strategies)

Finding Vivian Maier – Official Film Website. Available: [accessed Jun 10, 2018]. For every minute you are angry you lose sixty seconds of happiness by Julian Germain.

BARTHES, Roland. 2000. Camera Lucida. London, Vintage.

CALLE, Sophie (to follow)

COLBERG, Jorg. 2017. Understanding Photo Books: the form and content of the photographic book.  New York, Routledge.

GALLERY, T.P., 2012. Fiona Tan: Vox Populi, London.

GODFREY M. Photography found and lost: On tacita dean’s “Floh”. October. 2005(114):90-119. Accessed Jun 14, 2018. doi: 10.1162/016228705774889619.

KASTEN, Barbara 1974-5 Untitled Photogenic Painting. Tate Modern.

KUHN, Annette. 2010. ‘Memory texts and memory work: performances of memory in and with visual media’. Memory Studies (online). Available at:  (accessed 29/6/18)

KUHN, Annette. 2002. Family secrets. Acts of Memory and Imagination. London & New York: Verso

LANGFORD Martha. Scissors, paper, stone: Expressions of memory in contemporary photographic art. Montreal, CANADA: MQUP; 2007. Accessed Jun 14, 2018.

LANGFORD, Martha. 2001. Suspended conversations. The Afterlife of Photography in Photographic Albums. Montreal. McGill-Queen’s University Press

LENSCULTURE, M.P.|., , Marja Pirilä. Available: [accessed Jun 10, 2018].

LESKINEN, Kira. Accessed 26/7/18

LOOKING TO SEE – Imagine…Summer 2018 no1: Tacita Dean. (Accessed via BBC iPlayer 11/8/18)

MAN RAY Rayographs 1922-7. Gelatin silver print on paper. Tate Modern.

MOHOLY-NAGY, Laszlo. Photogram 1922. Gelatin silver print on postcard.

NISSENEN, Laura (to follow)

PARR, MArtin; BADGER, Gerry. 2004. Facing facts. The Photobook: a history. London: Phaidon

PERKINS, Stephen.  (The Family Album: an Inquiry) . reference to follow

PRINCE, Richard. 2009 ‘Interview with Peter Halley’.  In David Evans. Appropriation. Documents of Contemporary Art. Cambridge, M.A. MIT Press, p84.

ROHDIE, S. and EBRARY, I., 2006. Montage. Manchester: Manchester University Press.

ROSE, Gillian. 2010. Doing family photography (electronic source): the domestic, the public, and the politics of sentiment. Farnham, Surrey: Ashgate.

VAN DIJCK J. Digital photography: Communication, identity, memory. Visual Communication. 2008;7(1):57-76. Accessed Jun 14, 2018. doi: 10.1177/1470357207084865.






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